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"D'ye mean handsome, Lucy?" said Captain Acton. "For the dog is that.",

The several long perpendicular lines were possibly intended to represent the forest, but what was meant by the two vertical lines and the crosses directly beneath them Maurice did not know. Also there was a crudely drawn circle and, inside it, a small square. Maybe this was supposed to represent a hollow stump with a squirrel-trap in it, thought the perplexed Maurice. With a sigh of disgust he turned the paper over. Then his eyes brightened. Written there in Billy's cramped hand were these words and characters:,

And so down the path ridged with the bronze bars of late afternoon sunlight, they passed, Harry strutting in the lead, wrinkled face lifted, scanty white locks streaming in the breeze as he drew from his whistle a wild sweet melody.,

"Listen!" he said harshly. "You know me and you know I don't often give a man like you more than a second chance. You have had your second chance and failed. But see here, I'm not infallible. If dogs and children trust you there must be some good in you, and by George! I'm going to do something which is either going to prove the biggest piece of damn foolishness or the biggest coup I have ever pulled off in my life. I'm going to take my grip from your throat, Jacobs, and leave you to the dogs and the children.

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The Admiral might have been observed to be calculating by the movement of his lips. "It will be a run, then," said he, "of about forty days.",

"Willium, are you lyin' to me? If you are it's goin' to be the costliest lie you ever told.",

This young lady was Lucy, the only child of Captain Acton, one of the most charming, indeed one of the most beautiful girls of her time. The scene of garden and flower-beds quaintly shaped, and the backing of the noble, mellow, gleaming building with its pediment and symbolic carvings, was enchantingly in keeping with the figure and appearance of the girl, who by the magic of her looks and attire instantly transformed it into a picture charged with the colours of youth and health and a sweet and delicate spirit of life. Her apparel was prettily of the time: a straw hat, the brim projecting a little over the forehead and seated somewhat on one side, a plain light blue gown and long yellow silk gloves. The gown was without waist and bound under the bosom by a girdle. Her hair this day was dressed in tresses which hung around the face—not curls, but tender shadings of hair, as though the effect had been contrived by the fingers of the wind; but some curls reposed on her neck. Her eyes were unusually large, of a dark brown and full of liquid light. The eyelids were somewhat heavy, and looked the heavier because of their rich furniture of eyelash. The eyelashes indeed suggested at first sight that she doctored her eyes, as do actresses[Pg 20] and others; but a brief inspection satisfied the beholder that all was Nature transparent, artless, and lovely. A conspicuous charm in Lucy Acton was her colour: her cheeks always wore a natural bloom or glow; this, as in the case of her eyes, might have been suspected as the effect of art, but she blushed so readily, even sometimes on any effort of speech, the damask of her blood so wrought in her cheek on any impulse of mood or humour, that it was quickly seen the mantling glow was a charm of Nature's own gift. No girl could have been more natural, and few more beautiful than Lucy Acton. Had she lived half a century earlier she would have been one of the toasts of the nation.,

Come, let us be glad—both togither, me lad—